주차 | 주차명(주제) | 차시명(학습내용) | 평가방법 |
1 | Orientation | Orientation | 퀴즈 |
2 | Feminism in the K-Drama WhentheCamelliaBlooms(2019) | 2-1. Introduction 2-2. The “Dragon” Tongbaek in When the Camellia Blooms 2-3. Single Mothers as Victims in When the Buckwheat Blooms (1936) and Ms. Camellia (1964) 2-4. Floral Femininity in When the Buckwheat Blooms, Ms. Camellia, and When the Camellia Blooms 2-5. Turning the Hierarchy of Agency Upside Down: Single Mothers and Their Children and Partners 2-6. Compatibility of Motherhood and Feminism 2-7. Conclusion |
3 | “Koreanness” in the K-Drama MyLovefromtheStar(2013-2014) | 3-1. Introduction 3-2. The source text and its parody 3-3. The problem of terminology 3-4. Explicit appearances of The Dream of the Nine Clouds in My Love from the Star 3-5. Comparison of My Love from the Star and The Dream of the Nine Clouds 3-6. Cheon Song-yi: The embodiment of the Eight Immortal Maidens and the Hallyu 3-7. Dream structure 3-8. The pragmatic level of the parody 3-9. Conclusion |
4 | Call for Ideological Freedom in the K-Novel TheJourneytotheWest(1971)byCh’oeInhun | 4-1. Introduction 4-2. Sǒyugi and The Journey 4-3. Polyphony in The Journey 4-4. The prologue as a guide for a journey of the mind 4-5. Repetitions and circularity as a means for achieving multiple perspectives 4-6. The motifs of travel and transformation 4-7. The motif of hindering encounters 4-8. Stimulating messages and motivation 4-9. Two disillusioned characters: Sun Wukong and Tokko Chun 4-10. “Greyness” as a way to move 4-11. Conclusion |
5 | The Phenomenon of “SnackCulture”in the K-Drama Tokkaebi(2016-2017) and in a Poetry Jam from the 17th Century | 5-1. Introduction 5-2. The Journey to the West as story cloud in constant flux 5-3. How to abbreviate a story cloud that is never whole? 5-4. Characteristics of Intertextuality According to Gérard Genette 5-5. Inscriptions on the Ming painting collection Gushi huapu 5-6. “Jumping out of Buddha’s palm” in contemporary Korean literature and popular culture |
6 | The Role of Visual Translation in K-Temples and in the K-Animation Fly Super board(1990s) | 6-1. Introduction 6-2. The Story World of The Journey 6-3. Visual Translation: Transcoding beyond the Written Word 6-4. The Journey in Reliefs 6-5. The Journey on Temple Walls 6-6. The Journey as Animation 6-7. Conclusion |
7 | Filial Piety in the K-Movie Pietà(2012) by Kim Ki-duk | 7-1. Questioning Ethical Possibility: Thigh Slicing as Ritual for the Initiation of Compassion and Filial Piety in Kim Ki-duk’s Pietà (2012) 7-2. Introduction 7-3. Kim Ki-duk and the MeToo movement 7-4. Acts of Filial Cannibalism in the Joseon dynasty and in Pietà 7-5. ‘Pietas’, Pietà and Piety 7-6. The Role of Filial Cannibalism in Confucianism and Christianity 7-7. The Cathartic Effect of the Act of Cannibalism on Gangdo and Miseon 7-8. Gangdo’s Transformation Reflected in Animals and Music |
8 | The Role of Confucianism in K-Studies | 8-1. What is Confucian about Korean Confucianism? 8-2. Introduction 8-3. The Act of Reading Confucianism 8-4. Essentializing Confucianism in Public Discourse 8-5. Stereotyping Confucianism in the academic discourse of Korean Studies 8-6. Approaching Korean Confucianism as a Story World 8-7. A Voyage with Voyant: What is Confucian about Korean Confucianism? 8-8. Conclusion |
9 | Nationalizing the Transnational in the K-Webtoon Along with th eGods(2010–2012) | 9-1. Introduction 9-2. Sin kwa hamkke: the Other World 9-3. Constructing Korean gods: Chu Homin’s sources for the Ten Kings 9-4. A Product of CodeMixing: The Ten Kings in Religious Contexts and in Literature 9-5. Transcoding, CodeSwitching, and CodeMixing in Sin kwa hamkke 9-6. Lawyer Chin as Avatar of Kṣitigarbha Bodhisattva 9-7. The First Trial: Sword Mountain Hell and King Chin’gwang 9-8. The Second Trial: Liquid Fire Hell and King Ch’ogang 9-9. The Third Trial: Icy Hell and King Songje 9-10. Conclusion |
10 | Victimizing Perpetrators and the K-Movie The Throne(2015) | 10-1. Constructing the Ideal Victim: Glorification of Crown Prince Sado in South Korean Popular Culture / Introduction 10-2. Crown Prince Sado and the Longest Wall-Tile Painting in the World 10-3. Glorification and Demonization of Crown Prince Sado in Historical Sources 10-4. Hanjungnok 10-5. The Epitaphs by Sado’s Father and Son 10-6. The Death of Sado in the Historical Record 10-7. The Portrayal of Sado in South Korean Popular Culture 10-8. The Throne 10-9. Secret Door 10-10. The Country That Crown Prince Sado Dreamed of and The Secrets Behind the Noron’s 300 Years in Power 10-11. Conclusion |
11 | The Potential of K-Ghost Stories and Kim Si sǔp’s Tales of the Strange(15th Century) | 11-1. Introduction 11-2. Kŭmo sinhwa 11-3. Summaries of Account of a Chŏp’o Game at Manbok Temple and Biography of Scholar Yi Who Peered over the Wall 11-4. Translations, Retellings and Adaptations 11-5. An Actant-Relationship Model for Romantic Ghost Stories 11-6. Convergence and Divergence of Actants and Relationships in Romantic Ghost Stories: Falling in Love with a Ghost 11-7. Convergence and Divergence of Actants and Relationships in Romantic Ghost Stories: Love Transcends Death 11-8. The Korean TV drama Master’s Sun 11-9. Kŭmo sinhwa on Screen |